Toriba
Animation, Identity, Video, Website
Toriba is a space dedicated to building possible futures. Its practice grows out of collective conversation among artists, activists, communicators, educators, researchers, and leaders who come together from different perspectives to shift the gaze and imagine new scenarios. At the intersection of research, culture, education, and social innovation, Toriba understands that the stories we tell shape the worlds we build. Its encounters take place in the present but look ahead, creating the conditions for new ideas and possibilities to emerge from dialogue between different fields. For the project, we developed a new visual identity, a website, and a manifesto film that express this point of view. The identity was conceived as an open, dynamic system capable of accompanying the diversity of voices and initiatives surrounding the organization—a language that gives form to a space of words and collective imagination.
Bauh is an original furniture studio that creates pieces from reclaimed wood. Produced in limited editions, its furniture is defined by close attention to materials and detail. We developed its visual identity, creating a sober, contemporary graphic system that supports the brand’s communication without competing with the material’s singular character.
Encantado, Silva’s seventh album, gains a tactile dimension through a publication that brings together images and traces of the creative process. Enchantment emerges precisely in this gap, where sound and image come together to create a sensory experience.
Festival Teal Brasil brings together networks, practices, and inspiration to imagine more whole organizations. Like teal thinking itself, its shifting identity reflects an evolving field and is organized in layers: graphics overlap, shift in relation to one another, and produce ever-changing configurations, while content remains at the center.
With more than one hundred works from the MNBA collection, Pretagonismos places Black artists at the center of Brazilian art history. Design and architecture work as a single reading structure: artworks, names, and stories gain presence so that another panorama of Brazilian art can emerge—broader, more critical, and, above all, necessary.